Randers, Denmark

1991 - 1994

Enghøj Church

With its striking inverted roof, Enghøj Church represents a unique geometric departure from the traditional Danish church. Inside, the form resembles the keel of a large sailing vessel – a tribute seafaring and Nordic heritage.

Project details

Client

The Church Council of Borup's and St. Clemens' Parish

Typology

Civic

Status

Throughout rural Denmark, the brick steeples of traditional churches mark the landscape with a sense of familiarity. Situated on a hill northwest of Randers in Jutland, Enghøj Church stands apart with its distinctive design. Built in 1994, Henning Larsen’s design reinterprets the traditional church form through a modernist lens, defined by geometric shape and the use of daylight.

More than just a place for worship, the church additionally serves as a community anchor – with locals embracing the church’s unique design, giving it the nickname “the clothespin.” Enghøj Church received the Randers Architecture Prize in 2002, and later received the same award for the addition of the bell tower in 2013.

Pierre Chatel, 2018
Sotirios Zapantiotis, 2025

A minimalist expression

Enghøj Church’s white, V-shaped structure stands out clearly on a hillside – defined by its modernist lines and geometric shape. To the right, a cluster of parish buildings is organized into three separate volumes, connected by a low white wall. To the left, a large grassy mound formed from surplus earth wraps around the church plaza, softening the site and framing the building.

Sixteen years after the church’s completion, a bell tower was added to the site. It’s design considered not only form and material, but also the acoustic dimension of the carillon. Adjustable hatches were used to regulate sound levels without compromising the aesthetic expression of the building.

Sotirios Zapantiotis, 2025
Sotirios Zapantiotis, 2025

Guided by daylight

The interior of Enghøj Church is minimalist yet warm, shaped by the presence of natural toned materials. The wood ceiling, constructed with glulam beams, resembles the upturned hull of a ship and gives the room its distinct character and sculptural presence. The space is intentionally minimal – containing only what is needed: benches, altar pulpit, and organ, and the white concrete walls remain unadorned.

Inside the church, there are no views to the outside world. Instead, light enters gently through sixteen small square openings and a continuous band of glazing between the roof and the walls. This careful use of natural light creates a clam, introspective atmosphere – characteristic of Henning Larsen’s work, where light becomes a feature of the design. Slender bulbs, hanging in clusters, add to the feeling of lightness. Combined with the soft, filtered daylight, they create an atmosphere that feels both grounded and elevated – drawing the eye toward the altar naturally. 

The inverted roof resembles the keel of a great ship, a visual tribute to Denmark's rich maritime heritage and the broader presence of seafaring in Nordic myths and legend. Martin Schubert, 2013
Housing benches, an altar pulpit, and an organ, the space is designed minimally to fit its need exactly - without excess space or decoration.
Pierre Chatel, 2018
Pierre Chatel, 2018

Contact

All contacts
Portrait of Eva Ravnborg

Director, Denmark

era@henninglarsen.com
Portrait of Louis Becker

Louis Becker

Global Design Principal

LB@henninglarsen.com

Next project

Ørestad Church

Explore project